This is a list of Stradivarius instruments, fabricated by members of the house of Antonio Stradivari.
Contents |
This list has 282 entries.
Sobriquet | Year | Provenance | Notes | |
---|---|---|---|---|
ex-Back | 1666 | Royal Academy of Music | currently displayed as part of Royal Academy's York Gate Collection | |
Dubois | 1667 | Canimex Foundation | on loan to Alexandre Da Costa[1] | |
Aranyi | 1667 | Francis Aranyi (collector) | sold at Sotheby's London, 12 November 1986[2] | |
ex-Captain Saville | 1667 | Jean-Baptiste Vuillaume Captain Saville (1901–1907) |
||
Amatese | 1668 | though listed in many reference books as one of Stradivari's earliest instruments, the modern consensus is that it is not a Stradivari; it was sold Sotheby's New York 3 February 1982 as "an interesting violin."[3] | ||
Oistrakh | 1671 | David Oistrakh | Stolen from the Museum of Musical Culture in Russia in May 1996 but recovered in 2001.[4] | |
Sellière | 1672 | Charles IV of Spain | ||
Spanish | 1678 | Finnish Cultural Foundation | on loan to Elina Vähälä[5] | |
Hellier | 1679 | Sir Samuel Hellier | Smithsonian Institution | |
Paganini-Desaint | 1680 | Nippon Music Foundation[6] | this violin along with the Paganini-Conte Cozio di Salabue violin of 1727, the Paganini-Mendelssohn viola 1731, and Paganini-Ladenburg cello of 1736, compose a group of instruments referred to as the Paganini Quartet; on loan to Kikuei Ikeda of the Tokyo String Quartet. The foundation owns more than a dozen Stradivari instruments. | |
1680 | The collection of Mr & Mrs Rin Kei Mei | |||
1681 | Reynier or Comte de Chesnais | Owned in 1949 by Lyon & Healey. Previously owned by Napoleon III, the violinist Léon Reynier[7] and the comte de Chesnais. | ||
Fleming | 1681 | |||
Bucher | 1683 | |||
Cipriani Potter | 1683 | Cipriani Potter | ||
Cobbett; ex-Holloway | 1683 | on loan to Sejong brokered by the Stradivari Society[8] | ||
ex-Croall | 1684 | WestLB | ||
ex-Elphinstone | 1684 | owned since 2005 by Philip Greenberg, Artistic director and conductor of the Kiev Philharmonic in the Ukraine. Currently on loan (2011) to Jennifer Koh, violinist. | ||
ex-Arma Senkrah | 1685 | |||
ex-Castelbarco | 1685 | |||
Rosenheim | 1686 | Mr. William Rosenheim [9] | ||
Goddard | 1686 | Miss Goddard Antonio Fortunato[10] |
||
Ole Bull | 1687 | Ole Bull (1844) Dr. Herbert Axelrod (1985–1997) |
Donated to the Smithsonian Institution in 1997 by Herbert R. Axelrod. Now part of the Axelrod quartet. | |
Mercur-Avery | 1687 | on loan to Jonathan Carney, concertmaster of the Baltimore Symphony Orchestra since 2002 | ||
1688 | The collection of Mr & Mrs Rin Kei Mei | |||
Auer | 1689 | on loan to Vadim Gluzman brokered by the Stradivari Society[8] | ||
Arditi | 1689 | Dextra musica AS, Norway | on loan to Elise Båtnes, concertmaster, Oslo Philharmonic | |
Baumgartner | 1689 | Canada Council for the Arts | on loan to Judy Kang[11] | |
Spanish I | 1689 | Patrimonio Nacional, Palacio Real, Madrid, Spain[12] | date range 1687–1689; part of a duo of violins (Spanish I and II) referred to as los Decorados, and los Palatinos; also collectively known as del Cuarteto Real (The Royal Quartet) when included with the Spanish Court viola (1696) and cello (1694). | |
Spanish II | 1689 | Patrimonio Nacional, Palacio Real, Madrid, Spain[12] | date range 1687–1689; part of a duo of violins (Spanish I and II) referred to as los Decorados, and los Palatinos; also collectively known as del Cuarteto Real (The Royal Quartet) when included with the Spanish Court viola (1696) and cello (1694). | |
Bingham | 1690 | |||
Bennett | 1692 | Winterthur-Versicherungen | on loan to Hanna Weinmeister | |
Falmouth | 1692 | on loan to Leonidas Kavakos | ||
Gould | 1693 | George Gould [13] |
bequeathed by Gould to the Metropolitan Museum in 1955 | |
Harrison | 1693 | Richard Harrison Henry Hottinger Kyung-wha Chung |
in the collection of the National Music Museum[14] | |
Baillot-Pommerau | 1694 | Formerly owned by Arthur Catterall, then by Alfredo Campoli[15] | ||
Francesca | 1694 | Metropolitan Museum of Art | Bequest of Annie Bolton Matthews Bryant, 1933[16] | |
Rutson | 1694 | Royal Academy of Music | on loan to Clio Gould[17] | |
Fetzer | 1695 | |||
1697 | Edvin Marton | Dima Bilan, together with Evgeni Plushenko, and Edvin Marton playing his Stradivarius, won the Eurovision Song Contest 2008[18] | ||
Molitor[19] | 1697 | Madame Juliette Récamier, Paris (?–1804) Count Gabriel-Jean-Joseph Molitor, Paris (1804–1849) Molitor family (1849–1917) J. Mazeran, Paris (1917–1923) The Curtis Institute, Philadelphia (1929–1936) Mr. R. A. Bower, Somerset (1937–1957) Miss Muriel Anderson, Londonderry (1957–1989) Elmar Oliveira (1989–1994) Albert Stern (1994–2010)[20][21] |
Thought to originally belong to Napoleon Bonaparte. Sold by Tarisio Auctions for $3,600,000, a new world record[23] until the Lady Blunt was sold in June 20, 2011. | |
Cabriac | 1698 | |||
Baron Knoop | 1698 | one of eleven Stradivari violins associated with Baron Johann Knoop | ||
Joachim | 1698 | Royal Academy of Music | ||
Duc de Camposelice | 1699 | Cho-Liang Lin | ||
Lady Tennant; Lafont | 1699 | Charles Phillipe Lafont Marguerite Agaranthe Tennant |
on loan to Xiang Gao brokered by the Stradivari Society;[8] sold at Christie's auction US$2.032 million, April 2005[24] | |
Longuet | 1699 | |||
Countess Polignac | 1699 | on loan to Gil Shaham. | ||
Castelbarco | 1699 | Library of Congress | Presented by Gertrude Clarke Whittall[25] | |
Kustendyke | 1699 | Royal Academy of Music | ||
Crespi | 1699 | Royal Academy of Music | ||
The Penny | 1700 | Barbara Penny | ||
Dragonetti | 1700 | Nippon Music Foundation | Formerly owned by Alfredo Campoli, now played by Veronika Eberle | |
Jupiter | 1700 | Giovanni Battista Viotti | ||
Taft; ex-Emil Heermann | 1700 | Canada Council for the Arts | on loan to Renée‑Paule Gauthier[11] | |
Ward | 1700 | U.S. Library of Congress | Presented by Gertrude Clarke Whittall[26] | |
Dushkin | 1701 | on loan to Dennis Kim, concertmaster, Seoul Philharmonic Orchestra | ||
Markees | 1701 | Music Chamber | ||
Irish | 1702 | Pohjola Bank Art Foundation, Finland | on loan to Antti Tikkanen[27] | |
Conte de Fontana; ex-Oistrakh | 1702 | David Oistrakh (1953–1963) Riccardo Brengola Pro Canale Foundation |
Oistrakh's first violin; on loan to Mariana Sirbu | |
Lukens; Edler Voicu | 1702 | A. W. Lukens Ion Voicu Romania Culture Ministry |
on loan to Alexandru Tomescu through 2012[28] | |
King Maximilian Joseph | 1702 | |||
Lyall | 1702 | |||
Antonio Stradivari | 1703 | Bundesrepublik Deutschland | on exhibit at Musikinstrumentenmuseum, Berlin[29] | |
La Rouse Boughton | 1703 | Österreichische Nationalbank[30] | on loan to Boris Kuschnir of the Kopelman Quartet | |
Lord Newlands | 1702 | Nippon Music Foundation | on loan to Sergey Khachatryan | |
Allegretti | 1703 | |||
Alsager | 1703 | |||
Lady Harmsworth | 1703 | Paul Bartel | on loan to Kristof Barati brokered by the Stradivari Society[31] | |
Emiliani | 1703 | Anne-Sophie Mutter | ||
ex-Foulis | 1703 | on loan to Karen Gomyo[32] | ||
Betts | 1704 | U.S. Library of Congress | Presented by Gertrude Clarke Whittall[25] | |
Sleeping Beauty | 1704 | L-Bank Baden-Württemberg | on loan to Isabelle Faust. One of the few Stradivari violins to have retained original neck. | |
ex-Marsick; ex-Oistrakh | 1705 | David Oistrakh | acquired in trade by Oistrakh for the 1702 Conte di Fontana | |
ex-Tadolini | 1706 | The collection of Mr & Mrs Rin Kei Mei | ||
ex-Brüstlein | 1707 | Österreichische Nationalbank[30] | ||
La Cathédrale | 1707 | |||
Hammer | 1707 | Christian Hammer (collector) | sold at Christie's New York on 16 May 2006 for a record US$3,544,000 (€2,765,080) after five minutes of bidding[33][34] | |
Le Davidoff | 1708 | Musée de la Musique, Paris | bequeathed to the Museum in 1887 | |
Le Tua | 1708 | Musée de la Musique, Paris | donated to the museum in 1935 | |
Burstein; Bagshawe | 1708 | owned by the Jacobs family, loaned to Jeff Thayer, San Diego Symphony concertmaster | ||
Huggins | 1708 | Nippon Music Foundation | on loan to Ray Chen[35] | |
Regent | 1708 | Royal Academy of Music | on loan to Tasmin Little | |
Ruby | 1708 | on loan to Chen Xi brokered by the Stradivari Society[8] | ||
Strauss | 1708 | on loan to Chee-Yun brokered by the Stradivari Society[8] | ||
Greffuhle | 1709 | Donated to the Smithsonian Institution in 1997 by Herbert R. Axelrod. Now part of the Axelrod quartet. | ||
Berlin Hochschule | 1709 | |||
Hammerle; ex-Adler | 1709 | Österreichische Nationalbank[30] | on loan to Werner Hink | |
Ernst | 1709 | on loan to Dénes Zsigmondy through 2003 | ||
Engleman | 1709 | Nippon Music Foundation | on loan to Lisa Batiashvili | |
King Maximilian; Unico | 1709 | Axel Springer Foundation | on loan to Michel Schwalbé, concert master of the Berlin Philharmonic (1966–1986);[36] reported stolen in 1999[37] | |
Viotti; ex-Bruce | 1709 | Royal Academy of Music | purchased in 2005 for GB£3.5 million | |
Marie Hall | 1709 | Giovanni Battista Viotti The Chi-Mei Collection |
named after the violinist, Marie Hall | |
ex-Kempner | 1709 | on loan to Soovin Kim | ||
La Pucelle | 1709 | Huguette Clark[38] David Fulton[38] |
||
Camposelice | 1710 | Nippon Music Foundation | on loan to Kyoko Takezawa | |
Lord Dunn-Raven | 1710 | Anne-Sophie Mutter | ||
ex-Roederer | 1710 | on loan to David Grimal. | ||
ex-Vieuxtemps | 1710 | on loan to Samuel Magad, concertmaster, Chicago Symphony Orchestra | ||
Davis | 1710 | on loan to Michael Shih, concertmaster, Fort Worth Symphony Orchestra[39] | ||
the Antonius | 1711 | Metropolitan Museum of Art | Bequest of Annie Bolton Matthews Bryant, 1933[40] | |
the Lady Inchiquin | 1711 | previously owned by Fritz Kreisler | played by Frank Peter Zimmermann, a German banking company, WestLB AG, bought it for his use.[41] | |
Earl of Plymouth; Kreisler | 1711 | Los Angeles Philharmonic[42] | found in store room on the estate of the Earl of Plymouth along with The Messiah and Alard violins in 1925; purchased by Fritz Kreisler in 1928 and subsequently sold by him in 1946[43] | |
Liegnitz | 1711 | previously owned by Szymon Goldberg | ||
Le Brun | 1712 | Niccolò Paganini Charles LeBrun Otto Senn |
sold at Sotheby's auction 13 November 2001 | |
Karpilowsky | 1712 | Harry Solloway | missing: stolen in 1953 from Solloway's residence in Los Angeles | |
Schreiber | 1713 | |||
Antonio Stradivari | 1713 | |||
Boissier | 1713 | |||
Daniel | 1713 | on loan to Jhon Paul Reynols | ||
Sancy | 1713 | Ivry Gitlis | ||
Gibson; ex-Huberman | 1713 | Bronisław Huberman Joshua Bell |
stolen twice from Huberman | |
Lady Ley | 1713 | Stradivarius family | now bought by Jue Yao, Chinese violinist | |
Wirt | 1713 | The Chi-Mei Collection | ||
Dolphin; Delfino | 1714 | Jascha Heifetz Nippon Music Foundation |
on loan to Akiko Suwanai | |
Soil | 1714 | Amédée Soil Yehudi Menuhin Itzhak Perlman |
||
ex-Berou; ex-Thibaud | 1714 | |||
Le Maurien | 1714 | missing: stolen 2002[4] | ||
Leonora Jackson | 1714 | |||
Massart | 1714 | Lambert Massart György Pauk |
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Sinsheimer; General Kyd; Perlman | 1714 | Itzhak Perlman David L. Fulton |
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Smith-Quersin | 1714 | Österreichische Nationalbank[30] | on loan to Rainer Honeck | |
Alard-Baron Knoop | 1715 | |||
Baron Knoop; ex-Bevan | 1715 | |||
ex-Bazzini | 1715 | |||
Cremonese; ex-Harold; Joseph Joachim | 1715 | Joseph Joachim Municipality of Cremona |
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Duke of Cambridge; ex-Pierre Rode | 1715 | NPO "Yellow Angel" | on loan to Ryu Goto[44] | |
Joachim | 1715 | Nippon Music Foundation | ||
Lipinski | 1715 | Giuseppe Tartini | on loan to Milwaukee Symphony Orchestra concertmaster, Frank Almond[45] | |
ex-Marsick | 1715 | on loan to James Ehnes | ||
Titian | 1715 | Jacob Lynam | ||
Le Provigny | 1716 | Musée de la Musique, Paris | bequeathed to the Museum in 1909 | |
Cessole | 1716 | |||
Berthier | 1716 | Baron Vecsey de Vecse Franco Gulli[46] |
||
Booth | 1716 | Nippon Music Foundation | on loan to Shunsuke Sato; formerly loaned to Arabella Steinbacher; formerly loaned to Julia Fischer | |
Colossus | 1716 | missing: stolen 1998[4] | ||
Duranti | 1716 | Mariko Senju[47] | ||
Milstein ex Goldman | 1716 | Nathan Milstein | sold by Charles Beare and the Milstein Family to Jerry Kohl | |
Monasterio | 1716 | Cyrus Forough | ||
Provigny | 1716 | |||
Messiah-Salabue | 1716 | Ashmolean Museum Oxford | on exhibit at the Oxford Ashmolean Museum | |
ex-Windsor-Weinstein; Fite | 1716 | Canada Council for the Arts | on loan to Caroline Chéhadé[11] | |
Baron Wittgenstein | 1716 | The Bulgarian state | on loan to Mincho Minchev since 1979; formerly owned by John Corigliano (former concertmaster of the New York Philharmonic) | |
Gariel | 1717 | Jaime Laredo | ||
ex-Wieniawski | 1717 | |||
Kochanski | 1717 | Pierre Amoyal Paweł Kochański |
reported stolen in 1987; recovered in 1991[48] | |
Sasserno | 1717 | Nippon Music Foundation | on loan to Viviane Hagner | |
Viotti; ex-Rosé | 1718 | Giovanni Battista Viotti Österreichische Nationalbank[30] |
on loan to Volkhard Steude | |
Chanot-Chardon | 1718 | Timothy Baker Joshua Bell |
shaped like a guitar;[49] on loan to Simone Lamsma | |
Firebird; ex-Saint Exupéry | 1718 | Salvatore Accardo | name is taken from the colouration of the varnish and its brilliant sound. | |
Marquis de Riviere | 1718 | Daniel Majeske | played by Majeske while concertmaster of the Cleveland Orchestra from 1969–1993 | |
San Lorenzo | 1718 | Georg Talbot | on loan to David Garrett, while his Guadagnini is repaired. Initial news reports erroneously stated it was the San Lorenzo he had smashed.[50][51] | |
ex-Count Vieri | 1718 | The collection of Mr & Mrs Rin Kei Mei | ||
Lauterbach | 1719 | Johann Christoph Lauterbach J.B. Vuillaume Charles Philippe Lafont[52] |
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Zahn | 1719 | LVMH | ||
ex-Bavarian | 1720 | Metropolitan Museum of Art | [53] | |
Madrileño | 1720 | Rimma Sushanskaya teacher of Harvard wife of Benjamin Franklin Rembert Wurlitzer Duques de Osuna |
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von Beckerath | 1720 | Michael Antonello | ||
Sinsheimer; Iselin | 1721 | reported stolen near Hanover, Germany in 2008; recovered in 2009.[54] | ||
Lady Blunt | 1721 | Nippon Music Foundation[55] | named after Lady Anne Blunt, daughter of Ada Lovelace, granddaughter of Lord Byron. The Lady Blunt was last sold at London auction house Tarisio on June 20, 2011 for £9,808,000 (US$15.9 million), with proceeds going to the Nippon Foundation's Northeastern Japan Earthquake and Tsunami Relief Fund.[56][57] | |
Jean-Marie Leclair | 1721 | Jean-Marie Leclair | on loan to Guido Rimonda[58] | |
Red Mendelssohn | 1721 | Mendelssohn family Elizabeth Pitcairn |
inspiration for the 1998 film, The Red Violin | |
The Macmillan | 1721 | On Loan to Ray Chen through Young Concert Artists | ||
Artot | 1722 | Lorin Maazel | ||
Jules Falk | 1723 | Viktoria Mullova | ||
Jupiter; ex-Goding | 1722 | Nippon Music Foundation | on loan to Daishin Kashimoto; formerly Midori Goto | |
Laub-Petschnikoff | 1722 | |||
Elman | 1722 | Chi Mei Museum | ||
Cádiz | 1722 | Joseph Fuchs | on loan to Jennifer Frautschi; named after the city of Cádiz, Spain. | |
Kiesewetter; ex-Keisewetter | 1723 | Clement and Karen Arrison[59] | on loan to Philippe Quint brokered by the Stradivari Society[8] Left by Quint in taxi on 21 April 2008, and recovered the following day. | |
Earl Spencer | 1723 | on loan to Nicola Benedetti[60] | ||
Le Sarasate | 1724 | Musée de la Musique, Paris[61] | bequeathed to the Conservatory by Pablo de Sarasate, in memory of his student days at the Conservatoire | |
Brancaccio | 1725 | Destroyed in an allied air raid on Berlin. | owned by Carl Flesch, until 1928 where it was sold to Franz von Mendelssohn, banker and amateur violinist.[62] | |
Chaconne | 1725 | Österreichische Nationalbank[30] | on loan to Rainer Küchel | |
Leonardo da Vinci | 1725 | Da Vinci family[63] | ||
Wilhelmj | 1725 | Nippon Music Foundation | on loan to Baiba Skride; one of several Stradivari violins with the sobriquet "Wilhelmj" | |
Greville; Kreisler; Adams | 1726 | Fritz Kreisler | ||
Baron Deurbroucq | 1727 | Baron Deurbroucq (The Hague) (1870) Robert Crawford (Edinburgh) W.E. Hill & Sons (1902) Hans Wessely (1903–1926) David D. Walton (Boston) (1926) Emil Herrmann (19??–1945) Fredell Lack (1945-present) |
||
Barrere | 1727 | on loan to Janine Jansen brokered by the Stradivari Society[8] | ||
Benvenuti | 1727 | owned by Maurice Hasson[64] | ||
Davidoff-Morini | 1727 | missing: stolen in 1995;[65] | ||
ex-General Dupont | 1727 | Arthur Grumiaux | on loan to Jennifer Koh | |
Holroyd | 1727 | |||
Kreutzer | 1727 | Maxim Vengerov | one of four Stradivari violins with the sobriquet Kreutzer (1701, 1720, 1731) | |
ex-Reynier or Le Reynier; Hart; ex-Francescatti | 1727 | LVMH since 1993 or 1994 Salvatore Accardo. |
Named after Léon Reynier who won at the Concervatoire de Paris in 1847. Has been lent to Maxim Vengerov. Now on loan to Augustin Dumay. | |
Paganini-Conte Cozio di Salabue | 1727 | Nippon Music Foundation | this violin along with the Paganini-Desaint violin of 1680, the Paganini-Mendelssohn viola of 1731, and the Paganini-Ladenburg cello of 1736, compose a group of instruments referred to as the Paganini Quartet; on loan to Martin Beaver of the Tokyo String Quartet | |
Halphen | 1727 | Angelika Prokopp Private Foundation | on loan to Eckhard Seifert | |
Vesuvius | 1727 | Antonio Brosa Remo Lauricella Town of Cremona |
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A. J. Fletcher; Red Cross Knight | 1728 | A. J. Fletcher Foundation | on loan to Nicholas Kitchen of the Borromeo String Quartet; the instrument was made by Omobono Stradivarius[66] | |
1728 | Australian Chamber Orchestra Instrument Fund[67] | on loan to Satu Vänskä, Assistant Leader of the orchestra | ||
Artot-Alard | 1728 | Endre Balogh[68] | a bench copy of this instrument was produced in 1996 by Gregg Alf and Joseph Curtin, using modern materials and methods;[69] Balogh performs on both the 1728 original and the replica.[70] | |
Dragonetti; Milanollo | 1728 | Giovanni Battista Viotti Domenico Dragonetti Teresa Milanollo |
on loan to Corey Cerovsek | |
Perkins | 1728 | Los Angeles Philharmonic | named after Frederick Perkins, formerly owned by Luigi Boccherini[71] | |
Benny | 1729 | Jack Benny Los Angeles Philharmonic |
bequeathed to the Los Angeles Philharmonic by Jack Benny | |
Solomon, ex-Lambert | 1729 | Murray Lambert Seymour Solomon |
sold at Christie's, New York for US$2,728,000 (€2,040,000) | |
Innes | 1729 | on loan to Eugen Sarbu; previously loaned to Wieniawski | ||
Guarneri | 1729 | Canada Council for the Arts | on loan to Nikki Chooi[72] | |
Recamier | 1729 | Ryuzo Ueno, Honorary Chairman, Ueno Fine Chemicals Industry, Ltd. | on loan to Sayaka Shoji | |
Royal Spanish | 1730 | Anne Akiko Meyers[73] | once owned by the King of Spain[74] | |
Lady Jeanne | 1731 | Donald Kahn Foundation | on loan to Benjamin Schmid | |
Garcin | 1731 | Jules Garcin Sidney Harth |
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Heifetz-Piel | 1731 | Rudolph Piel Jascha Heifetz |
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Baillot | 1732 | Fondazione Casa di Risparmio | lent to Giuliano Carmignola for the DG recording of Vivaldi: Concertos for Two Violins[75] | |
Duke of Alcantara | 1732 | an obscure Spanish nobleman described as an aide-de-camp of King Don Carlos UCLA |
Genevieve Vedder donated the instrument to the University of California at Los Angeles' (UCLA) music department in the 1960s. In 1967, the instrument was on loan to David Margetts. Whether it was left on the roof of his car or stolen is uncertain, but for 27 years the violin was considered missing until it was recovered from an amateur violinist who claimed to have found it on a freeway. A settlement was made and the Stradivarius was returned to UCLA in 1995.[76][77][78] | |
Herkules | 1732 | Eugène Ysaÿe | missing: stolen in Russia in 1908 by Harrison 'Two Times' Shaw[4] | |
Red Diamond | 1732 | Louis Von Spencer IV | ||
Tom Tyler | 1732 | previously loaned to Joshua Bell | ||
Des Rosiers | 1733 | Angèle Dubeau | previously owned by Arthur Leblanc | |
Huberman; Kreisler | 1733 | Bronisław Huberman Fritz Kreisler |
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Khevenhüller | 1733 | Yehudi Menuhin | ||
Rode | 1733 | currently used by Erzhan Kulibaev by courtesy of the Maggini Foundation[79] | ||
Ames | 1734 | missing: stolen in 1981[4] | ||
Baron Feilitzsch; Heermann | 1734 | Baron Feilitzsch Hugo Heerman Gidon Kremer |
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Habeneck | 1734 | Royal Academy of Music | ||
Herkules; Ysaÿe; ex-Szeryng; King David | 1734 | Eugène Ysaÿe Charles Münch Henryk Szeryng State of Israel |
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Lord Amherst of Hackney | 1734 | Fritz Kreisler | ||
Lamoureux; ex-Zimbalist | 1735 | missing: stolen[4] | ||
Muntz | 1736 | Nippon Music Foundation | on loan to Arabella Steinbacher | |
ex-Roussy | 1736 | Chisako Takashima[80] | ||
Yale Stradivari | 1736 | Yale University, Collection of Musical Instruments[81] | ||
Comte d'Amaille | 1737 | |||
Lord Norton | 1737 |
There are thirteen known extant Stradivari violas.[82]
Sobriquet | Year | Provenance | Notes |
---|---|---|---|
Mahler | 1672 | Habisreutinger Foundation | The first of the Stradivarius violas; currently on loan to French violist Antoine Tamestit |
Tuscan-Medici | 1690 | Cosimo III de' Medici | commissioned by Cosimo III de' Medici, Grand Duke of Tuscany; currently on loan to the U.S. Library of Congress |
Axelrod | 1696 | Donated to the Smithsonian Institution in 1997 by Herbert R. Axelrod. Now part of the Axelrod quartet. | |
Archinto | 1696 | Royal Academy of Music[83] | |
Spanish Court | 1696 | Patrimonio Nacional, Palacio Real, Madrid, Spain[12] | collectively known as del Cuarteto Real (The Royal Quartet) when included with the violin duo, los Decorados (Spanish I and II, 1687-1689), and the Spanish Court cello of 1694. |
Kux; Castelbarco | 1714 | Royal Academy of Music | converted from viol to viola by Jean Baptiste Vuillaume[84] |
The Russian | 1715 | Russian State Collection | |
Cassavetti | 1727 | U.S. Library of Congress | Presented by Gertrude Clarke Whittall[25] |
Paganini-Mendelssohn | 1731 | Nippon Music Foundation | this viola along with the Paganini-Desaint violin of 1680, the Paganini-Conte Cozio di Salabue violin of 1727, and the Paganini-Ladenburg cello of 1736, compose a group of instruments referred to as the Paganini Quartet; on loan to Kazuhide Isomura of the Tokyo String Quartet |
Gibson | 1734 | Habisreutinger Foundation | Presented by David Greenless (Stradivari Quartett) |
Antonio Stradivari built between 70 and 80 cellos in his lifetime, of which 63 are extant.
Sobriquet | Year | Provenance | Notes | |
---|---|---|---|---|
ex Vatican Stradivarius | 1620* | Wendy Sutter | On loan from the New York firm of Morel & Gradoux-Matt. Originally built by Nicolo Amati as a viola da gamba in circa 1620*, but was transformed into the bigger, more modern sized cello by Amati's student, Antonio Stradivari.[85] | |
ex-Du Pre; ex-Harrell | 1673 | Jacqueline du Pré Lynn Harrell Yo-Yo Ma |
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General Kyd; ex-Leo Stern | 1684 | Los Angeles Philharmonic | The instrument was stolen in 2004 and later recovered.[86][87][88] | |
Marylebone | 1688 | Donated to the Smithsonian Institution in 1997 by Herbert R. Axelrod. Now part of the Axelrod quartet. | ||
Barjansky | 1690 | Julian Lloyd Webber[89] | ||
ex-Gendron; ex-Lord Speyer | 1693 | Edgar Speyer; Kunststiftung NRW | on loan to Maria Kliegel; previously loaned to Maurice Gendron (1958-1990) | |
Spanish Court or Decorado | 1694 | Patrimonio Nacional, Palacio Real, Madrid, Spain[12] | collectively known as Quinteto Real or Quinteto Palatino (The Royal Quintet or Palace Quintet) when included with the violin duo, los Decorados (Spanish I and II 1687-1689), Bajo Palatino cello of 1700 and the Spanish Court viola of 1696. Is the original quartert | |
Bajo Palatino | 1700 | Patrimonio Nacional, Palacio Real, Madrid, Spain[12] | collectively known as Quinteto Palatino or Quinteto Palatino (The Royal Quintet or Palace Quintet) when included with the violin duo, los Decorados (Spanish I and II 1687-1689), Spanish Court cello of 1694 and the Spanish Court viola of 1696. | |
Bonjour | 1696 | Abel Bonjour Canada Council for the Arts |
on loan to Rachel Mercer[11] | |
Lord Aylesford | 1696 | Nippon Music Foundation | on loan to Danjulo Ishizaka; previously loaned to Janos Starker (1950-1965) | |
Castelbarco | 1697 | Library of Congress | Presented by Gertrude Clarke Whittall[25] | |
Cristiani | 1700 | Elise Barbier Cristiani Jean Pierre Duport |
On display at Stradivarius Collection in Civic Museum of Cremona[90] | |
Servais | 1701 | National Museum of American History | on loan to Anner Bylsma; | |
Paganini-Countess of Stanlein | 1707 | Bernard Greenhouse | on loan to Truls Mørk[91] | |
Boccherini; Romberg | 1709 | Used by the father of cellists, Pablo Casals. | ||
Markevitch; Delphino | 1709 | Royal Academy of Music | on loan to Josephine Knight | |
Gore Booth; Baron Rothschild | 1710 | Rocco Filippini | ||
Duport | 1711 | Mstislav Rostropovich (1974-2007) | ||
Mara | 1711 | Heinrich Schiff | ||
Davidov | 1712 | Count Matvei Wielhorski (1794–1866) Karl Davidov Jacqueline du Pré |
on loan to Yo-Yo Ma. | |
Batta | 1714 | J. P. Thibout Alexander Batta; W.E. Hill & Sons; Baron Johann Knoop; Gregor Piatigorsky[92] |
Currently displayed at the Metropolitan Museum of Art, New York | |
de Vaux | 1717 | on loan to Adam Klocek. | ||
Amaryllis Fleming | 1717 | ex-Blair-Oliphant, ex-Hegar, ex-Kühn, ex-Küchler | Owned by the late Amaryllis Fleming, half sister to writers Ian and Peter Fleming. Neck, head and table are not original, after extensive repairs in 18th century by Spanish luthier, Jose Contreras.[93][94] | |
Becker | 1719 | |||
Piatti | 1720 | Carlos Prieto | ||
Vaslin | 1723 | LVMH | on loan to Tatjana Vassilieva | |
Baudiot | 1725 | Gregor Piatigorsky | ||
Chevillard | 1725 | Museu da Música (Lisbon) | ||
Marquis de Corberon; ex-Loeb | 1726 | Royal Academy of Music | Was once owned by Hugo Becker. Later owned by Audrey Melville who bequeathed it to the RAM in 1960. Her friend Zara Nelsova had lifelong possession of it, until her death in 2002, as a condition of Melville's bequest. On loan to Colin Carr.[95] | |
Comte de Saveuse | 1726 | Comte de Saveuse d'Abbeville, Edward Latter, Archibald Hartnell, Michael Edmonds, subsequently lent to Michael Evans. | ||
De Munck; ex-Feuermann | 1730 | Emmanuel Feuermann Aldo Parisot Nippon Music Foundation |
on loan to Steven Isserlis[82][96] | |
Pawle | 1730 | Chi Mei Museum | ||
Braga | 1731 | played by Myung-wha Chung[97] | ||
Stuart | 1732 | Steven Honigberg | ||
Paganini-Ladenburg | 1736 | Nippon Music Foundation | this cello along with the Paganini-Desaint violin of 1686, the Paganini-Conte Cozio di Salabue violin of 1727, and the Paganini-Mendelssohn viola of 1731, compose a group of instruments referred to as the Paganini Quartet; on loan to Clive Greensmith of the Tokyo String Quartet |
There are two complete extant guitars by Stradivari, and a few fragments of others, including the neck of a third guitar which is owned by the Conservatoire de Musique in Paris.[98] These guitars have ten (doubled) strings, which was typical of the era.
Sobriquet | Year | Provenance | Notes |
---|---|---|---|
Hill | 1688 | Ashmolean Museum at Oxford University[99] | ex-Kabayao-Dolfus Stradivarius 1724. |
Rawlins | 1700 | National Music Museum South Dakota[100] |
The only Stradivarius harp to survive today is the arpetta (little harp), owned by San Pietro a Maiella Music Conservatory in Naples, Italy.[101][102]
There are two known extant Stradivari mandolins. The Cutler-Challen Choral Mandolino of 1680, is currently in the collection of the National Music Museum at the University of South Dakota in Vermillion, South Dakota.[103] The other, dated ca. 1706, is owned by private collector Charles Beare of London.[104]